DVS' CLIPSTER now comes with a tool set for the logging and linking of digital material.
DVS’ CLIPSTER now comes with a tool set for the logging and linking of digital material. Digital deliverables of modern RAW cameras can be created at high speed. CLIPSTER is capable of creating a single timeline from a wide range of different RAW data, e.g. material from RED, ARRI D-20/D-21, ALEXA, Phantom or SI-2K cameras. All RAW formats can be decoded and demosaiced in real-time. With its comprehensive set of burn-in features and a wide range of deliverable formats, CLIPSTER covers all aspects of the deliverable workflow.
Post houses benefit from the DI workstation’s new DCI capabilities: CLIPSTER generates 3D Digital Cinema Packages (DCP) in real-time and its sophisticated hardware helps accelerate DCI Mastering and 3D subtitling in 4K. Numerous stereoscopic real-time workflows enable users to effortlessly handle 3D material. Thanks to the new 3D depth grading, it is now possible to fine-tune the depth of a 3D scene. Here, CLIPSTER uses a nuanced approach that enables the creation of perfect 3D for any screen size.
As of now, CLIPSTER also supports another Apple codec with capabilities for Apple ProRes 422 generation in Proxy, LT and 4444. In the 444 version, CLIPSTER offers 12-bit processing for ALEXA camera feed. The DI workstation reads and writes the codec under the Windows operating system.
