Built on the new URSA Cine platform, URSA Cine Immersive features a fixed, custom, stereoscopic 3D lens system with dual 8K image sensors that can capture 16 stops of dynamic range where filmmakers can record remarkable moments.
Blackmagic Design has announced an end-to-end workflow for producing cinematic Apple Immersive Video for Apple Vision Pro. Blackmagic URSA Cine Immersive is reportedly the world’s first commercial camera system designed to capture Apple Immersive Video. Apple Immersive Video is a brand-new storytelling format that leverages 8K, 3D video with a 180-degree field of view, and Spatial Audio to transport viewers to the centre of the action.
Additionally, Blackmagic Design has updated its post-production software, DaVinci Resolve, enabling professional filmmakers to edit Apple Immersive Video for the first time.
CEO of Blackmagic Design, Grant Petty said: “We are thrilled to announce the first-ever commercial camera system and post-production software that supports Apple Immersive Video, giving professional filmmakers the tools to create remarkable stories with this powerful new format pioneered by Apple. Built on the new URSA Cine platform, URSA Cine Immersive features a fixed, custom, stereoscopic 3D lens system with dual 8K image sensors that can capture 16 stops of dynamic range. With this innovative system, filmmakers can record remarkable moments like action-packed scenes, unique perspectives, stunning landscapes, intimate performances, and more, all with incredible fidelity, offering viewers an unparalleled sense of realism and immersion.”
Blackmagic URSA Cine Immersive features a fixed, custom lens system pre-installed on the body, which is designed specifically for Apple Immersive Video. The sensor delivers 8160 x 7200 resolution per eye with pixel level synchronisation and 16 stops of dynamic range, so cinematographers can shoot 90fps stereoscopic 3D immersive cinema content to a single file. The custom lens system is designed specifically for URSA Cine’s large format image sensor with accurate positional data that’s read and stored at the time of manufacturing. This immersive lens data — which is mapped, calibrated and stored per eye — then travels through post-production in the Blackmagic RAW file itself.
Blackmagic customers will be able to edit Apple Immersive Video shot on the URSA Cine Immersive camera. A new immersive video viewer will let editors pan, tilt and roll clips for viewing on 2D monitors or on Apple Vision Pro for a more immersive editing experience. Transitions rendered by Apple Vision Pro will also be able to be bypassed using FCP XML metadata, giving editors clean master files. Export presets will enable quick output into a package which can be viewed directly on Apple Vision Pro.
The evenly weighted camera body is built with a magnesium alloy chassis and lightweight carbon fibre polycarbonate composite skin to help filmmakers move quickly on set. Customers also get 12G SDI out, 10G Ethernet, USB-C, XLR audio, and more. The fold-out monitor has a large 5″ HDR touchscreen on one side and an external colour status LCD on the other. The right side of the camera features a dedicated assist station with a second 5″ HDR touchscreen that allows the crew to work around the camera without needing external monitors.
An 8-pin Lemo power connector at the back of the camera works with 24V and 12V power supplies, making it easy to use the camera with existing power supplies, batteries, and accessories. Blackmagic URSA Cine Immersive comes with a massive 250W power supply and B mount battery plate, so customers can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. Customers will also receive a top handle, antennas for high-speed Wi-Fi, baseplate, 24V power supply and high voltage B mount battery plate for quick set up.
Blackmagic URSA Cine Immersive comes with 8TB of high-performance network storage built in, which records directly to the included Blackmagic Media Module, and can be synced to Blackmagic Cloud and DaVinci Resolve media bins in real-time. This means customers can capture over two hours of Blackmagic RAW in 8K stereoscopic 3D immersive, and editors can work on shots from remote locations worldwide as the shoot is happening.
The new Blackmagic RAW Immersive file format is designed to make it simple and easy to work with immersive video within the whole post-production workflow, and includes support for Blackmagic global media sync. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post-production.
Blackmagic URSA Cine Immersive is reportedly the first commercial, digital film camera with ultra-fast high capability Cloud Store technology built in. The high-speed storage lets customers record at the highest resolutions and frame rates for hours and access their files directly over high-speed 10G Ethernet. The camera also supports creating a small H.264 proxy file, in addition to the camera’s original media when recording, which means the small proxy file can be uploaded to Blackmagic Cloud in seconds, so media is available back at the studio in real-time.
Blackmagic Media Dock accelerates post-production workflow by making it faster and simpler to start editing and performing colour correction. Customers can mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine Immersive cameras all at the same time. The four high-speed 10G Ethernet ports allow up to four separate edit workstations to connect directly.
Blackmagic URSA Cine Immersive and the update to DaVinci Resolve will be available later this year from selected Blackmagic Design resellers worldwide.
